Claude Monet’s “On the Bank of the Seine, Bennecourt” is an image
depicted in vibrant color and sunlight. The bold use bright blue, white and yellow
hues makes me recall warm spring days or summer mornings. I think that the use
of light, sunlight in particular, makes this painting and all of Monet’s work
more susceptible to being linked to memory or dreams. To me, the style in which
the work is done and the vibrancy of the lighting effects that are used makes
me feel as though I’m trying to remember a dream or a memory. The edges are
fuzzy but there is just enough information to put together the full picture.
The image itself must be taken in as a whole or one will quickly become
confused as to what it is. One cannot look at a single brush stroke or object
in this composition to get the full effect of the work.
However, the eye does tend to drift towards the reflective surface of the water due to its composition of bright bold blocks of color. The “rippled” effect of the brush strokes tends to pull the eye back into the landscape giving one the sense of movement on the water. This movement is continuous, like water itself, and allows one to easily “travel” through the painting without the sense of clutter. I think it is important to note that Monet’s work is intended to be a snapshot of current time. This movement that is created in Monet’s technique helps us see even further into the moment Monet was attempting to, and has, successfully captured.
However, the eye does tend to drift towards the reflective surface of the water due to its composition of bright bold blocks of color. The “rippled” effect of the brush strokes tends to pull the eye back into the landscape giving one the sense of movement on the water. This movement is continuous, like water itself, and allows one to easily “travel” through the painting without the sense of clutter. I think it is important to note that Monet’s work is intended to be a snapshot of current time. This movement that is created in Monet’s technique helps us see even further into the moment Monet was attempting to, and has, successfully captured.
Monet’s work in general tends to make me feel something emotionally. The
reflective surfaces he depicts and the sunlight used in all of his work
generates a sense of calm. It’s easy to imagine the warmth of the sunrays and
the smell of the water or the coolness of the shade beneath the trees in “On
the Bank of the Seine”. I believe he achieves this effect not through detailed
subject matter or “plot”, but rather by taking advantage of the ways in which
our minds store memories. The brightness or darkness of something is easily
linked to memory even when we cannot recall specific detail. Typically, we remember how something
made us feel. It is a powerful way in which we make sense of the world. In this
way, Monet is able to create a full image that we can understand simply by
tricking our brains with its pre-existing knowledge and memory of light and the
way it reacts with objects in comes in contact with.
The lack of detail in this work is an aspect that makes it very calming.
The mind is so easily distracted by detail. Here, Monet has simplified an every
day moment allowing us to take another look and appreciate ordinary things we
take for granted such as sunlight or the beauty of the light on water.
The use of color also gives the viewer a sense of calm. Blues and
neutrals, both of which a dominate in this work, are found scientifically to
have calming effects of people. Mixed with an accurate depiction of the memory
of light and the reflection on water, these elements are very soothing. The
weight of the lights and darks in this work also gives the feeling of sitting
beneath a shaded tree grove. Although it can be concluded that the woman in the
painting is indeed sitting under a group of trees, the light and darks used
within the composition helps us feel and recall what it feels like to sit under
the cool shade of a tree on a warm day as if we ourselves are in this moment.
This element also helps to balance out the image itself, giving us a nearly
equal balance of bright contrasts (the water and buildings in the distance) and
dark contrasts (the darkly shaded group of trees).
Although I do not think it was Monet’s intention to capture the way we
may recall a dream or a memory, the fact that he was trying to capture a moment
fits in very well with this concept. He has indeed captured to feeling of a
sunny day, the coolness of shade, the reflection of water and the sense of calm
these three offer. It is as though he has effectively captured a memory, as we
would recall it in our minds. He has projected dreams onto canvas.
I enjoyed your post on Claude Monet’s “On the Bank of the Seine, Bennecourt". I really like the rippled effect of the brushstrokes in this painting that you have mentioned. The reflection in the water gives us a view of the landscape and some of the buildings that we can not see in the painting itself because of trees covering most of them. The blocks of color in the water are so bright that they immediately bring our eyes towards it and away from the busy life on the other side of the bank. Great post!
ReplyDeleteLesya
I like your observation about the dream-like quality of Monet's work. I think that the "flattening" of his canvases (through less attention to perspective and depth, for example) can make this painting seem more dream-like. Since this painting isn't trying to be illusionistic, it seems to suggest that it embodies something outside of reality (like a dream).
ReplyDelete-Prof. Bowen
Monet's use of color shows the interest of Impressionist artist's in color theory and the works of Chevreul's color studies. Chevreul helped expand our knowledge of light and colors based on the scientific observations and studies and helped us better understand how color can be used to "trick the mind". Even though not all of Chevreul's theories were completely new, such as his ideas of mixing pure pigments with black and white, which is also mentioned in the "Della pittura" by Leon Batista Alberti, he greatly influenced many of the artist's during the Renaissance such as Delacrouix and Matisse (http://www.handprint.com/HP/WCL/chevreul.html). Chevreul not only studied how colors affect one another but how the eye sees color contrasts whether they are placed next to one another at the same time, or seen separately one after another. According to Chevreul, the mind interprets these color separately and tricks the mind and affects how we perceive the same colors in different situations.
ReplyDeleteI enjoyed your comments on the Monet painting. The bright colors make the painting "pop" and the simplicity of the brushstrokes makes me think I could possibly pull this off. The reflection he gets on the water is amazing and the fact that at least 1/3 of the painting is green is pretty amazing to me in terms of the overall scene he is depicting. Enjoyed reading your post.
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